From a Private Collection Flomenhaft Gallery, New York, NY label affixed to verso
Steinbaum Krauss, New York, NY label affixed to verso
Condition
overall good condition, medium is well attached to the support
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About condition report
Condition reports are based on visual inspection by the Capsule team under typical office lighting. Unless otherwise noted, items are not examined under UV light in advance of sale. We do not guarantee the content of written or verbal condition reports. Remember, all lots are previously owned and all sales are final. The absence of a condition report does not imply that there are no condition issues with the lot.
Art has not been examined out of the frame unless otherwise stated. Frames, lampshades, or items described as “supplementary” are not considered integral to the value of the lot and are excluded from condition assessments. This includes any mat, mounting, glazing, hanging apparatus, case, box, or stand. Timepiece movements, lighting elements and items with mechanical or electrical components have not been thoroughly tested and are not covered under warranty by Capsule.
Frame Information
unframed
Paul Brach
American1924-2007
Paul Brach, a native New Yorker, found his passion for painting while studying under Grant Wood at the University of Iowa.
Brach's artistic and personal life became enriched when he married fellow artist Miriam Schapiro in 1946. Their move back to the New York in 1951 immersed them in the vibrant Abstract Expressionist scene, where they befriended notable figures like Joan Mitchell, Larry Rivers, Knox Martin, and Michael Goldberg. Brach's involvement with the renowned Atelier 17 print studio further solidified his place within the artistic community.
Teaching was another facet of Brach's career, he taught at The New School, Cooper Union, Parsons School of Design, and Cornell University's New York City Program during the early 1960s. In 1969 he assumed the role of Dean at the California Institute of the Arts (CalArts) program in Los Angeles.
